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DECAMERON

SATURDAY 19.11.2022 | 19.30 – 22.30

BIOS Cinematheque Pireos 84, 10435, Athens

Original Language with English Subtitles

ADMISSION FREE

“History is not just a matter of date”, said Chris Patten in his last speech as British Governor of Hong Kong, shortly before the United Kingdom handed administration of the province back to China in 1997. In Decameron, Rita Hui Nga Shu combines this speech and other historical sources with fiction and contemporary images. Her gripping documentary takes a critical look, for example, at the question of what Hong Kong actually is at this particular moment in time.

 

The title of this ambitious video essay refers to Giovanni Boccaccio’s Medieval literary masterpiece, which was likewise created in the wake of an epoch-making worldwide plague. As in Boccaccio’s literary text, different stories, timelines and perspectives merge. The kaleidoscopic film Decameron presents a coronavirus-ravaged Hong Kong that is also still struggling with traumas from the recent past. The result is a valuable political document which, by placing the recent protests within a broader context, enters into a complex dialogue with the city’s present, past and future.

DECAMERON

Rita Hui Nga Shu, Hong Kong, 2021, Documentary, 107’

Director’s Bio

Rita Hui Nga Shu is a video artist and Hong Kong Independent Film director, teaching at the School of Creative Media, City University of Hong Kong. Over the past decade, she has actively explored the possibility of narrative and has challenged more ways of presenting expression besides images and storytelling. Rabbit Travelogue established in 2007. In 2009, with the funding of the Hong Kong Arts Development Council, she completed her first film “Dead Slowly” and participated in the 2009 Busan Film Festival “New Current”. The film hailed as the first feature-length experimental film in Hong Kong’s history. In 2013, the second feature film “Kenning Woman” was selected into the Busan Film Festival. “Pseudo Secular” is the third feature film, which became the opening film of the southern Taiwan film in 2016 and selected for the Turin Film Festival in Italy.